SEVERIN WEDEL

SOUND DESIGN

Sound on film and other media

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Film Productions
Other Sound Projects

IMDb
Experimenting in the studio

Sound Design

I try to be as creative as possible when it comes to designing sound. I use a wide range of different techniques, such as experimenting in the recording studio or manipulating existing sound with complex effect processing. Every sound deserves something unique.

Multichannel Mixing

Surround sound opens up a new world of possibilities when it comes to telling a story with sound. It’s a tool for pulling the viewer/listener into the story, and gives a grand immersive sound experience. I have worked with all the professional formats: 5.1, 7.1.2 and Dolby Atmos surround sound.

Multichannel mastering suite
Foley Studio

Foley

I find foley to be an important aspect of the storytelling in a film. I’ve worked with foley on several projects, in which I have recorded footsteps and clothes, but also mushing fruits and vegetables for graphic violence.

On Set Recording

In most cases, dialogue comes first, and well-recorded sound is the most important step in good quality dialogue. Recording on set can be an adventure, and I have experience with recording fast-paced action scenes, moving cars, extreme weather, scenes on open waters, etc.

On the set of Kramnad

Projects

Recent Work

Severin Wedel Sound

I’ve worked as a freelance sound designer/technician on film, theater and other media since 2018. Alongside my freelance work, I have several hobby music projects, where I experiment with a lot of different genres such as electronic soundscape, breakbeat, dub, techno, glitch, etc.

I started getting into film production when I went to KBH Film- og Fotoskole (Copenhagen Film- and Photo School). I got a bunch of lovely contacts, and a feeling of how to build a story, which I use a lot in my sound work.

Then, my work with sound turned professional, when I began my bachelors at Sonic College. Here I got introduced to the industry standards, a bunch of new tools and shared skills and inspiration with fellow sound nerds.

Expertise

  • Sound on set with professional equipment.
  • Advanced dialog editing, repair and noise reduction.
  • Creative sound design.
  • Music production for film score or independent music.
  • Foley
  • Surround sound mix in 5.1, 7.1.2, and Dolby Atmos.
  • Software knowledge: Pro Tools, Ableton Live, Logic Pro, Adobe Audition, Izotope RX, Dolby Atmos Renderer.